SizeCon 2026 – Fortified

A large d20 flanked by three smaller d20s. Atop the large d20 is a transparent plastic cylinder with a screw-off cap containing a 1" tall model railroad figurine of a woman.
Tiny and the Dice

It was better than last year, and that’s saying something.

In some ways that was to be expected. I no longer had the first-time jitters, and I had a good idea of how the events were paced. SizeCon 2026 was in the same venue as it was in 2025, and I knew I would see some familiar faces. I was so carefree I didn’t even look at the schedule until I was already aboard the train to Portland.

I also hadn’t looked at the tickets I had downloaded five months previously. If I had, I might have noticed that the PDF included pages for the meal plan for all three days, but nothing about convention admission. It turned out that the ticketing site had a glitch that allowed a user to purchase the meal plan without purchasing admission, and I was one of a few attendees who had accomplished precisely that. Fortunately, TinySuperVicki came to my rescue and put me in touch with Astra Ebonwing, who assured me I was fully registered and could pay for my admission when the con opened Friday morning.

In 2025, I knew a couple of people who were expected to attend and whose photos I had seen online, but otherwise I was essentially attending alone. This time I was part of a crew from Discord who had been anticipating the con for months. It was via the group chat that Vicki learned of my ticketing plight, and as the first day approached everyone’s travel travails were duly documented. I’ve known Vicki since the Tumblr days and I met Kindii, TheTallestMouse, and Eddie at SizeCon 2025, but while the others were for the moment just virtual entities, I knew I would have folks to hang with.

On Friday I ran into Taedis, who I’ve known for years and got to meet last year in person. They introduced me to giantess artist/legend Capp, who was drawing giant women when the Size community was still finding itself in the 80s and 90s. His work has appeared in print media by E.L. Publications and it was waiting for me online where I first discovered I wasn’t the only Size perv on the planet. Capp has recently used GenAI to augment some of his illustrations, and I greedily grabbed the prints available at Taedis’s table and had him sign them.

“Picked Up” by Capp, updated with GenAI for Size Con 2026

After last year I resolved to go to more socials and the most rewarding of these were the GIANT/tiny Icebreakers, moderated by Kindii. Participants were divided into up to four small groups and handed a list of twenty Size-related questions. Which question to answer was determined by rolling a giant inflatable d20. The smaller groups allowed for more in-depth discussion of everyone’s answers and thus getting to know each other better. I did the icebreaker each of the three days, so I have three souvenir d20s.

I got to meet another Size celebrity in the person of Codi Vore, who took her performance name from her own fetish. Codi was on three panels: Vore, Model Q&A, and Darkside, and her intelligent and heartfelt contributions improved them all. She also agreed to pose for a couple of giantess vore photos, and now I have to work on my Photoshop skills so I can do them justice when I edit doomed tinies into them.

The talent and passion that Size folk bring to this convention never fails to impress me. From the SizeCon Radio Play (written by Praedatorius, performed by an inspired cast) to the Talent Show to Abigail‘s presentation, I was constantly either grinning or mouth agape as the performers put themselves forth to show everyone what Size meant to them. They obviously loved this community, and the feeling was mutual.

I was delighted to see that RobClassact had made it this year. The convention director last year, Rob fell victim to what is becoming an unwelcome tradition for SizeCon directors and contracted COVID just before convention weekend, so he had to administer from quarantine on the other side of the Columbia River. I have been reading Rob’s stuff for years, including the writing contest Size Riot, and it was a treat to talk with him about the craft. I also got to hear him read his contest-winning story “Common Ground,” and his presentation on how to organize your time and motivate yourself to write was sorely needed.

Reverse side of convention badge for SizeCon 2020 showing the punch card for the convention meal plan behind a sticker given to me by RobClassact. The sticker depicts a tentacle gripping a pen and encircling a notebook, in which is inscribed in cursive: "I wrote some weird shit today"
Sticker given to me by RobClassact, displayed on the rear side of my convention badge

One concern I had about attending SizeCon a second time was that it might not be as invigorating as it was when I was a first-timer, before I knew the relief of letting my guard down in public. That concern was quickly dispelled by, not only the joy of being reunited with people I met last time, but also the contagious excitement of this year’s first-timers, who in my immediate case were B3ll3 and Bri. Everything they said or did went straight to my heart.

Another first-timer and Size celebrity was Cirilla, who produces a daunting volume of clips depicting tiny figures being dominated by her body in every way imaginable, including POV shots from a small camera inserted into one of her orifices. She had a table with her partner Camera Person, and I finally connected with them on Sunday morning. They let me have one of pile of tiny model railroad figurines they use in their videos—all males by that point—as well as a conveniently small plastic capsule to keep him in. I got him out later at lunch, lamenting that I didn’t get a female tiny to cherish. To my surprise and delight, B3ll3 brought out the female figure she had obtained from Cirilla the day before and offered to swap tinies. I’m still touched by that gesture.

The strongest indication that my comfort level at SizeCon had maxed out was my unexpected enthusiasm for participating in table-top roleplaying games. On Friday evening I saw that TastyAce was running something called Bitty Folk Adventures, a one-page system designed for players to portray tiny characters facing the challenges of a big scary world. I impulsively joined the overcrowded table and thoroughly enjoyed character creation and helping the party, but I didn’t grasp the obvious fact that a TTRPG would almost certainly take up more than one time bloc and I had an obligation during the next hour, so I had to bail out prematurely.

My appetite duly whetted, I consulted the schedule and determined that the upcoming three-hour bloc I could devote to the D&D adventure written by Schretz fell on Sunday afternoon. It was my first time playing D&D specifically since 1983, but I had read up on 5e when it was time to induct my son into the mysteries and Schretz was the most accommodating and resourceful DM I’ve had in recent memory. We didn’t make it as kinky as we might have, but it was still exciting to see everyone gleefully changing size at the slightest opportunity.

Two illustrations by Ed’N’Em in the SizeCon 2026 art gallery

Last year when I was attending SizeCon alone, I had to take a few breaks from the social over-stimulation by retreating to my room for 30-60 minutes. This year I instead found myself repeatedly wandering back to the table shared by Vicki and Lil showing their wonderful creations for a bit of downtime and to trade stories of conventions past. It was quiet moments like these and those in the meal hall where all these new experiences are processed into precious shared memories. Conventions don’t fully happen until such moments of reflection, and I couldn’t do without them.

The closing ceremony was as emotionally fraught as I (and most SizeCon veterans) had expected. Listening to the staff thank everyone for their contributions and assistance, I was reminded that this event and these people hold not only immense personal significance to the organizers and volunteers but also that SizeCon and similar gatherings have important political meaning. Last year we were scarcely a month into the current fascist regime and we had yet to see the full depth of its depraved cruelty. This year the largest No Kings march to date fell on the Saturday of the con, and it was vital to be reminded that every act of creativity, particularly kink art, is also a protest against those who would eliminate us.

I’m told that the practice of giving everyone a chance to go up to the microphone and speak about what the con meant to them only really became a major component of the closing ceremonies starting with 2025. The queue was longer than last year’s, and when the staff had to shut the event down at 9pm there were still people waiting to give their testimonies. There were tears aplenty, but I was most affected by Bri describing all the revelations she had and what she learned about herself during the con. I was not a little envious that she had made these discoveries and was already starting to accept them at such a young age.

Notably, despite all the perfectly reasonable reasons for people not to cross the US border or even just travel through American airports, SizeCon 2026’s attendance (slightly) surpassed that of 2025. Missing but not forgotten this year were fellow writers Aborigen and SolomonG. Jitensha and Chibiana couldn’t attend because they are each expecting a child (Sergio and Giant Gripper, accordingly, remained with their partners).

SizeCon 2027 will be at the same venue, so of course I’ll be there. I hope to see many of my old and new friends again, but it will also be someone’s first SizeCon, and I wouldn’t want to miss that.

SizeCon 2025 – Reconstituted

Amtrak locomotive with passenger cars next to a loading platform.
Amtrak Cascades

It’s been six days since I returned home from SizeCon 2025. I thought I’d wait until I finished processing my experiences before reporting on them, but I don’t think I’ll ever truly finish, so here we go. I’ve never experienced a weekend that included meeting so many old friends (for the first time in-person), making new friends, vocalizing thoughts I’d never before spoken aloud, and getting new perspectives on familiar ideas. It was like the high school reunion we deserved instead of the ones we got.

Continue reading “SizeCon 2025 – Reconstituted”

SizeCon 2025 – Booked

Advertisement for SizeCon 2025 in Portland, Oregon on Feb 28 - Mar 2.
Olo's avatar with the "I'm going to Size Con '25" border

I said I was going, and I am. I have con tickets, meal tickets, hotel reservations, and train tickets. Packing shouldn’t take very long; I have no merch to sell or costume to model. I might even get some writing done on the train.

I know multiple attendees who have already started on their journeys; my trip will be a scant four hours plus whatever dilly-dallying Amtrak and Burlington-Northern come up with.

It’s been decades since I’ve been to any type of convention, and I’ve never been to a kink convention. I have no idea what to expect, which hasn’t been true for me for a very long time.

I’m in free fall.

So-Called “A.I.” and the Size Community

A man in the woods is squatting down and laying his open palm on the ground. A two-inch-tall woman with her back to the viewer has just stepped into his hand, and he is smiling at her.
Under the Leaves by Foreverlurk, who used so-called “A.I.” as part of creating it.

As a substitute for creativity, statistically-generated imagery, video, audio, and text is an abomination. It is also a financial swindle, an environmental catastrophe, and an economic scourge. Perhaps the greatest insult is to the mind, which is asked to accept this glorified auto-complete slop as human art, scholarship, and truth. The peril it presents to human civilization at this fraught point in history is dire.

I am aware of a handful of creators in the Size community who appreciate and acknowledge all of the foregoing and have nonetheless incorporated statistical image generators and Large Language Models into their creative processes. It is crucial to note that they do not simply submit prompts and publish the output. They are talented artists and writers in their own right, and they use the statistically-generated output to refine their already-existing art and literature.

If I could with the snap of my fingers totally and permanently eliminate the corporate and cultural investment in and enthusiasm for so-called “A.I.”, I would instantly and gleefully sacrifice every bit of Size content that in any way depended upon it. Alas, I cannot. Human civilization will either lobotomize itself or it will not; whether or not a few Size creators make use of these algorithmic tools is of zero consequence.

If one’s revulsion at this technology precludes one from consuming art that employs it, by all means avoid it. Creators have an ethical obligation to explicitly label work that has involved statistical image generators or Large Language Models. Beyond this basic honesty, however, there are no grounds for forming moral judgments against individuals who employ statistically-generated output as part of a larger creative process.

Artists who publish work under their own name should welcome good-faith inquiries into if and how statistically-generated output is involved in their work. Conversely, honest creators should not be shunned or defamed for making tactical use of statistical-generation technology to augment their Size creations.

Bluesky

Giant woman chasing a sled-dog team across a snowy plain underneath a blue sky.

So I’ve realized some things about how I focus and don’t focus my attention, and I think I’m ready to give social media another try without letting it overwhelm me or consuming my every waking moment. I know there remains a large portion of the Size community on Xitter, but I won’t be making an account there. Content posted there is not viewable by anyone not logged in through the app. Every change Elon Musk makes is intended to promote his Nazi edgelord fanboys at the expense of other users’ experience. It’s only a matter of time until he decides to attract more advertisers by banning NFSW content.

In the almost two years since Musk’s acquisition of Xitter, members of the Size community have made more and more accounts on Bluesky, which was rather slow in rolling out basic social media features (DMs, user muting/blocking, keyword blocking, video support). I was worried about Bluesky’s tolerance for NFSW content, but for now they have a sophisticated labeling and filtering system that allows users to fine-tune the content they are exposed to while allowing properly-tagged and categorized adult content (the three categories are “Suggestive,” “Nudity,” and “Porn,” which implies that porn is permissible).

So I made an account on Bluesky. For those who remember my Tumblr blog, I won’t be posting or reposting nearly as often as I did back then (if it becomes apparent that the amount of time I am spending on Bluesky is approaching that of my Tumblr usage, please hold an intervention). My posting there will be low-investment and impermanent content, but unlike here I will at least be able to post NFSW imagery.

See you there.

Hug A Giant Day

13-ft-tall black man lying on his back being cuddled by a normal-size black woman
Jharrel Jerome and Olivia Washington in I’m A Virgo

Another one of our Size holidays has come around, Hug A Giant Day. You might be surprised to learn that Biggos can and do appreciate hugs from tinies. Towering above, shaking the earth as they walk, they seem so secure and confident, but it is not always so.

If they are a true giant, they can get quite lonely, unsure whether anyone is sincere with them or is simply acting out of fear. Protective giants can fret that they aren’t doing enough to keep tinies from harm, unable to be there all of the time.

So grab your favorite Biggo and reassure them that they’re big in your heart, too.